
Undoubtedly, this episode will raise many questions among fans, critics, and many others who overanalyze television. If some of the forum posters on Television Without Pity are to be believed, Grey’s does indeed have a political agenda, and is using this storyline as a soapbox to preach about gay rights. Others on the forums are convinced that the writers are turning Hahn into a manipulative bitch, because she is seducing a woman who claims to be heterosexual. Critics for publications such as Entertainment Weekly are a bit disgruntled about the fact that Grey’s is following a trend started by many other TV shows and movies, by using “late on set lesbianism” as a “plot device.”
However, I’m going to go out on a limb here and presume that the crafty folks over in the Grey’s Anatomy writers’ room are doing none of the above. Grey’s has always included its share of gay, lesbian and transgendered characters, mostly in the form of patients at the hospital. It’s perfectly plausible that a character like Callie could find herself falling for a close friend like Erica – especially on a show where romantic entanglements are the name of the game. Remember, this is the same girl who rushed into a shotgun marriage with George,

It seems as though this storyline may be just what this show needs to get back to the top of its game. Let’s face it – recent plot developments, as well as all of the rotating cast members have rendered Grey’s downright lame in the past few months. Addison’s departure, the death of Meredith’s mother, Joe’s mysterious disappearance, and the addition of Meredith’s boring sister have certainly not helped things. A new romance between two characters who have never tried to date before (as opposed to Derek and Meredith getting back together for the 47th time) is just what this show needs. It certainly helps, too, that Sara Ramirez and Brooke Smith have more chemistry in one scene together than Patrick Dempsey and Ellen Pompeo have had in four years of scenes together.

Besides all of the giggly, squee-worthiness of a developing lesbian relationship with good chemistry (and hot women), what is most remarkable about this storyline is how unremarkable it is – at least in its own fictional world. In the grand scheme of television, including a happy lesbian couple formed out of two regular, semi-lead characters on a prime time, network, top ten drama is HUGE. Sure, thanks to the legacy of Will & Grace, gay men are popping up in more places than ever before (at least, they are on ABC) - places like Brothers and Sisters, Ugly Betty, and Desperate Housewives. The only place we usually see lesbians are in the form of guest stars during sweeps, and on cable reality shows. However, in the fictional world of Seattle Grace, one more new romance, whatever form it’s going to take, is just a part of everyday life. Nobody even gave it a second thought when Joe introduced us to his boyfriend, and I suspect that if Callie and Erica become an item, the only person who will think it’s extraordinary is Callie herself – which is exactly the way it should be.
I can only hope that I’m right in my predictions, and that the writers actually are leading us to the climax (no pun intended) this developing story arc suggests. Hopefully, this time will be different from all of the other times network television has attempted to realistically portray lesbian characters, and they won’t drop this storyline once all of the sweeps dust settles. Despite my recent apathy towards this show, I’m once again putting my faith in Shonda and co., and I hope they come up with something great.